What I miss Here

by Isabelle Arvers
2019

What I miss Here, to be completely fine… It’s to let myself be swallowed up by the sea, to be able to trample on the colors and feel the image as I pass through it…

What I miss Here is the fruit of a reflection on the future of the cinematographic genre of machinima, these movies appeared in the late 90s, generated in real-time 3D from video game engines. Their future lies rather in their spatialization, in their hybridization with other forms: painting, sculpture, in situ installation, displacement of perspectives, interaction. 

In-situ experience
Video projector
Suitable for all audiences
from 5 to 66 minute(s)
Without dialogue
Update : 15/05/2024
Ce qui me manque, Installation Machinima | sand | sound and colors (Isabelle Arvers)
Ce qui me manque, Installation machinima sand sound and colors (Isabelle Arvers)
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Their future lies not only in a linear narrative mode imprinted with video or cinema, but rather in their spatialization, in their hybridization with other forms: painting, sculpture, in situ installation, displacement of perspectives, interaction. This is to move from a virtual space to creating a projected physical space that can then be physically inhabited.

To this dematerialization of the object, these “image movements” respond to the abstraction of the image produced by the video game engine. The sea becomes abstract, fills with glitches and its image is transformed into a series of fragmented polygons that stretch under the eye of the virtual camera. It unfolds on a sea of ​​corrugated sand, the space is transformed into a sea of ​​color, which illuminates the darkest places.

"In a cellar, carved in the volcanic rock, not far from Notre-Dame du Port, the sublime Romanesque church of Clermont-Ferrand, after having descended endless steps, one discovers in the darkness a beam of colored light which sweeps a beach of sand. It seems that the earth is vibrating, gently rising, that a wave runs through it. Slowly a set of stripes of tuned tints, violets, yellows, greens, oranges, lemons, etc. progresses, like a wink to a delirious Buren. Invisible loudspeakers diffuse reassuring vibrations. We want to dive into this underground atmosphere and yet so celestial. Isabelle Arvers offers us the key to the rainbow: we can walk in its contrasting folds, wrap ourselves in its nuanced fabric. The hope of living in a friendly world cures us of our dark ideas, so easily maintained by the spectacle of contemporary political unconsciousness." Jean Paul Fargier, Video Turbulence

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In-situ experience
Experience
Terms
Multi-users
Interactivity
Interactive
Capacity
From 1 to 16 people
Duration
From 5 to 66 minute(s)
Audience
Categories
Suitable for all audiences
Prices
Languages
Original language
Without dialogue
Dubbing
Subtitles
Team
Interpreter
no
Public outreach
no
Technician
yes
Material
Equipment
Video projector
Minimum space required
de 16 m 2 à 60 m 2
Internet connection
Not required to broadcast the artwork
A workshop may accompagny this artwork.
Awards
Programming
Vidéoformes Zaoum, Clermont-Ferrand (France), 2019
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Direction
A O
Composition and sound design
Alexandre Ollivier
Production-distribution
Production
Isabelle Arvers
 
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